(who uses Fly's real name as their title), based in Decatur, Georgia. Playa Fly has expanded all over the south by influencing young cliques like I.B.N. After leaving the group a year later, Fly put out his infamous diss record, 'Triple Bitch Mafia', then changed his title to Playa Fly and was featured on Tommy Wright III's On the Run album before signing with Super Sigg Records.
It was even planned for releasing Fly's first album on their label (which was, at that time, Prophet Entertainment) and his first single, 'From Da Darkness Of Da Kut', was released in 1994. He was featured on Gangsta Blac's underground hit album, Breakin Da Law, and the Three 6 Mafia's first mainstream album, Mystic Stylez. He eventually became affiliated with DJ Paul and Juicy J of Triple 6 Mafia (Now known as Three 6 Mafia) and under the wing of the up-and-coming producers, 'Slangin' Rocks' was produced (part one featured on his underground single, part two featured on DJ Paul's Vol. And then there's "Hit a Muthafucka," which became the group's latest anthem, a rowdy club-banger to say the least.Under the title Lil' Fly, Young began his career at the age of sixteen, testing the waters with 'Don't Never Test His Pimpin' as a start. In fact, the album's Chapter 2 title is fitting because the group reprises several of its best tracks from the previously released Mystic Stylez and Da End albums, namely "Tear da Club Up," "Late Nite Tip," "Bodyparts," and "N 2 Deep." The rest of the album very well could have come from the group's back catalog also, as tracks like "Neighborhood Hoe" and "Weed Is Got Me High" certainly embody the same sort of ideology, attitude, and approach that had gotten Three 6 Mafia to this point in the game. Their equation works out to a wonderfully novel album for its time, one that would set the course of their career as well as their dizzying array of solo and spin-off endeavors. For Chapter 2: World Domination, their first widely distributed album (via Relativity), Three 6 Mafia further refine the hardcore motifs of their underground efforts, toning down the outright horror and playing up their Southern gangsta-isms.
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